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Skrót do R'lyeh (2010)

Average Rating: 10.00/10
RPG Item Rank: N/A
Series Code
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Year Published
Primary Name
Skrót do R'lyeh
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ObjectID: 87734
Pg. 1
First Printing
Year: 2010
Soft Cover
120 pages
Size: A5
Link Image
Description Edit | History

Publisher's blurb:

Skrót do R’lyeh to cykl artykułów Miłosza Brzezińskiego publikowany w latach 1997-99 na łamach pisma Magia i Miecz. Jest – obok Jesiennej Gawędy – najsłynniejszym, najgłośniejszym cyklem tekstów poświęconych RPG w Polsce. Miłosz Brzeziński sprowadził grozę na sesje RPG, nauczył jak straszyć, jak budować nastrój grozy w prowadzonych przygodach. Pod wpływem uroku Skrótu do R’lyeh znalazły się całe rzesze Mistrzów Gry i graczy, a jego echa pobrzmiewają do dziś. To seria, która przeszła do legendy.

Wydany przez Portal Skrót do R’yleh jest kompilacją tekstów Miłosza Brzezińskiego – w jednym tomie zebrano wszystkie artykuły i w tej formie, ponad dziesięć lat po pierwotnym wydaniu na łamach Magii i Miecza trafia ponownie do fanów gier RPG w Polsce.

Zbiór – podobnie jak w przypadku Jesiennej gawędy – posłowiem opatrzył Tomasz Z. Majkowski.

and translation:

"Skrót do R'lyeh" (ang. "Shortcut to R'lyeh") is a series of articles written by Miłosz Brzeziński published in 1997-99 in the magazine "Magia i Miecz" (eng. literally: "Magic and Sword"). It is - next to the "Jesienna Gawęda" - the most famous, most notorious series of texts devoted to role-playing in Poland. Miłosz Brzeziński brought terror to the RPG sessions, learned how to scare you and how to build a mood of terror in the adventures. Under the influence of the "Skrót do R'lyeh" were multitude game masters and players, and its influence can be felt even to this day. This series has passed into legend.

Published by Portal "Skrót do R'yleh" is a compilation of texts by Miłosz Brzeziński - in one volume are gathered all articles and in this form, more than ten years after its original release on the pages of "Magia i Miecz", goes back to RPG fans in Poland.

The collection - as in the case of "Jesienna Gawęda" - is commented in the afterword by Thomas Z. Majkowski.

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